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2019 Treasure Hill Light Festival//「野景」-2019寶藏巖光節
2019/04/08

「野景」-2019寶藏巖光節
A Land of Happiness-2019 Treasure Hill Light Festival

☆ 藝術家 Artists//
人嶼 Legacy Lab International
李承亮 LI Cheng-Liang
衍椼 Yanyen
莊知恆 CHUANG Chih-Heng
許唐瑋 HSU Tang-Wei
郭奕臣 KUO I-Chen
陳韻如 CHEN Yun-Ju
蕭聖健 HSIAO Sheng-Chien
奧爾加.蒂亞戈 Olga DIEGO
瀧健太郎 Kentaro TAKI
磯崎道佳 Michiyoshi ISOZAKI
「輕量級」-跨校協作工作營 Light Weight-Crossing Universities Work Camp
萬福國小 WanFu Elementary School
微景設計 TinyScene
★ 藝術總監 Art Director//李曉雯 Catherine LEE
★ 策展人 Curator//李依樺 LEE I-Hua
★ 地點 Venue//寶藏巖國際藝術村 Treasure Hill Artist Village
★ 展期 Exhibition Dates//2019.3.30(Sat.)-5.5(Sun.)
★ 英文資訊 More Info//https://reurl.cc/EGODR

■簡單市集 Simple Market■
地點 Venue/寶藏巖國際藝術村 Treasure Hill Artist Village
5.4(Sat.) 13:00-21:00
5.5(Sun.) 13:00-21:00
Simple Life簡單生活

■《痕跡-系列二》 Trace Series II■
☆ 藝術家 Artist/林安琪 Anchi LIN
地點 Venue/邊境71號展間 Frontier Gallery No.71
3/30(Sat.) 16:00-17:00

■野景-光之大笑漫才 Manzai Stand-up Comedy■
☆ 演出團隊 Actor/魚蹦興業 Yubon Shin Yeh
地點 Venue/山城排練場(上)Treasure Hill Atelier (Upper)
4.20(Sat.) 15:00 & 19:30
4.21(Sun.) 15:00
4.27(Sat.) 15:00 & 19:30
4.28(Sun.) 15:00
● 票價 Fee/每場新臺幣650元整(含漫才演出與胭脂特製光節茶點一份),
購票請洽年代售票系統:https://ppt.cc/fcIpkx
魚蹦興業
胭脂

■野景食堂 Eat & Talk■
地點 Venue/涼棚 Close to Treasure Hill Community Grocery Store
||「藝術好光景-從空場一場空聊起」||
Speaking of Taiwanese art scene from the experience of Polymer art space
4.20(Sat.) 13:00-15:00
☆ 食堂主人 Host/黃偉倫 HUANG Wei-Lun (Frank)
空場 Polymer

||「關了燈,照亮誰?-從寶藏巖的景緻聊起」||
Reviewing the past and looking forward to the future of Treasure Hill Village
4.20 (Sat.) 16:00-18:00
☆ 食堂主人 Host/李明俐 LEE Ming-Li
☆ 特別嘉賓 Special Guest/詹智雄 CHAN Chih-Hsiung
寶村柑仔店

● 票價 Fee/每場新臺幣200元整(含座談與寶村居民一同製作潤餅享用,購票請洽Accupass 活動通售票系統:http://www.accupass.com/go/eatandtalk

■黃昏市場-微聚加班特賣會 Flea Market■
地點/寶藏巖國際藝術村 Treasure Hill Artist Village
4.26(Fri.)-4.28(Sun.) 16:30-21:00
☆ 參與單位/寶藏巖微型群聚單位(不歸鹿、胭脂、両天工作室、尖蚪、Yinke、17做作金工工作室⋯等。)
不歸鹿
胭脂
兩天工作室
尖蚪
Yinke
17做作/17 work

■輕量級-跨校協作工作營■
■自然群象 The Flocked Scene of Nature■
地點 Venue/歷史斷面 Historical facades
3.30(Sat.)-5.5(Sun.)
☆ 藝術家 Artists/
卡艾瑋 H. CARPART
張國鎮 CHANG Kuo-Chun
姚仲涵 YAO Chung-Han
王連晟 WANG Lien-Cheng
王新仁 WANG Hsin-Jen
莊志維 CHUANG Chih-Wei
呂兆民 LU Chao-Ming

由實踐大學建築設計學系、國立臺北藝術大學新媒體藝術學系及國立臺灣大學土木工程學系合作的跨校協作工作營中,創作者將會創造以群體為單位的作品,使其有反射、複製、對立等關係。建構空間的虛構性,以複製與重疊的元素來呈現對於自然的語境。自然指的物質與非物質中,人類觀察與思考的一般性狀態,其指涉隱含一大敘事在其中。在現今數位化的時代,人們的身體感知已逐漸轉化、解構,與早期一種的空間具有強烈劃分與位階時期的狀態不同,現今的空間更是一種網路、節點、群落的形式。在這個階段是否有新的對於系統美學的再建構?以及如何對於寶藏巖的歷史斷面做出新的回應?這些問題是在本次工作營中想要探究與思考的。
輕量級//Light Weight

■展覽理念 Curatorial Statement■
文/李依樺
text / Lee I-Hua

六〇年代的台北公館一處,人們出於切身的現實需要,自力蓋起了房舍,在經濟物質匱乏的土地上,建構了一座滿足衣食生活的村落-寶藏巖。這塊聚落最原始的景緻構築在人們對於生存幸福的期待,這片景色像是野生的,生命在這裡有機地長著,人們努力生活著。

寶藏巖這片野景的美麗,包含了生命對於更好生活最真實、純粹、本能的追求,也因著人們對於美好遺產的珍視、文化景觀的理想、土地居住與人權的關懷、公平正義的寄託,而在大片景緻裡有過一段段狂野的捍衛。

「2019寶藏巖光節」,藝術家們在這片旖旎的野景之中,創造點點亮光,蔓延出的是現代社會裡文明與野生的矛盾想像。從步入村落開始,藝術團體衍椼透過作品〈眾裡尋他千百度〉,帶著人們在聚落的巷弄裡散步,細數座落的路燈和腳前的風景。大自然的景色隨著工業文明的發展,逐漸被都市繁華所取代,在寶藏巖上光巷的房舍內,蕭聖健投影了一輪滿月,以極低科技的手法,讓作品唱出鄉野田園的蟲鳴鳥叫。對自然環境的關愛也反應在人嶼和奧爾加.蒂亞戈的作品中,他們以回收廢棄物和塑膠製造了一座流瀉著螢光瀑布的假山水,以及充氣電子裝置閃著亮光的塑膠人間樂園。半樓廣場豎立的是李承亮利用球形水塔改造的舞台廣播系統〈萬年站〉,讓人們爬上如同登陸屋頂的太空站唱歌,做一場場野生的夢,而一旁鐵皮屋頂投影的〈失訊–夜〉,是郭奕臣以作品中人們的陌生關係,回應李承亮自現代生活的疏離狀態所拓展的〈萬年站〉幻想場景,身後的機槍堡也轉化成通往宇宙秘密基地的蟲洞。人工智慧的發展讓真實的情感變得模糊,陳韻如和瀧健太郎則透過人臉追蹤和線上遊戲,演繹著當今社會遭遇的科技綁架。

寶藏巖的最深處座落著許唐瑋的〈虹光樹:果實星球〉,這兩顆星球像是原始且充滿生命力的異野空間,與聚落入口磯崎道佳搭建的巨型透明帳篷遙望著,莊知恆的〈晷跡〉則在村內的屋舍牆面留下一抹抹光痕,再現了聚落生活的痕跡。在這片斑斕的景色之中,生命交錯著命運的野蠻,本能地生長著,時代和社會的發展則時而伴隨著與情感、關懷、真實相互抵觸的狀態向前邁進,野生和文明共存著,揉合成了這塊土地的景緻意義,這座富饒的野景也承載了如今的我們對於生活光景的期待。

In the 60s, people built their own houses in Gongguan, Taipei in order to survive, and in a time when financial and material resources were lacking, Treasure Hill, a village where people settled in to have their everyday needs met, emerged. Originally, this settlement embodied people’s anticipations for a life lived blissfully, and the landscape that surfaced was wild and primal; it was where life grew organically, and where people worked hard to survive.

The breathtaking wild view at Treasure Hill represents the most realistic, pure, and primal strive for a better life, and because of people’s appreciation for beautiful cultural heritage, vision for a landscape enriched with culture, a sense of care for tenure rights of land and human rights, and trust in fairness and justice, many fervent acts of protest for safekeeping and preservation have taken place here on the Treasure Hill.

Artists have created speckles of light for the 2019 Treasure Hill Light Festival on this fascinating wild landscape, and extending from these glimmers are imaginations that juxtapose with the paradoxes found in modern society's civil and primal qualities. Upon entering into the village, I search in the crowd for a hundred, a thousand times by artist collective Yanyen takes people on a stroll through the village, carefully pointing out the lampposts scattered throughout the settlement and the view unfolding along with each step. With industrial development came bustling city life, with natural views slowly replaced. A full moon is projected by Hsiao Sheng-Chien inside a house on Treasure Hill, and the rather low-tech approach allows the artwork to echo with nature’s singing insects and birds. The artworks by Legacy Lab International and Olga Diego are also prompted by concerns for our natural environment, which have resulted in an artificial landscape with a cascading neon waterfall using plastic objects and items gathered from recyclable waste, and a plastic playground with an inflatable electronic installation with glittering lights. Erected on the Pagoda Plaza is The Wannian Station, a broadcasting system stage modified by Li Cheng-Liang from a spherical water tank. People are invited to climb on top of the artwork, as if they were climbing atop a space station parked on the rooftop, where they could sing or dream and fantasize. Projected on the sheet metal house on the side is Lose Contact-Night, where Kuo I-Chen explores mankind’s estranged relationship. A dialogue is formed with the state of detachment in modern life explored in The Wannian Station by Li, and the air-raid shelter in the back seems to have transformed into a wormhole that leads to a mysterious base in the great cosmos. Real emotions have become more ambiguous with the advent of artificial intelligence. Applying face tracking and on-line game in their creations, Chen Yun-Ju and Kentaro Taki present their interpretations of what is happening in contemporary society with people being abducted by technology.

Situated in Treasure Hill’s innermost section is Iridescent Tree: Fruit Planet by Hsu Tang-Wei. The two peculiar planets in the artwork are primal and full of vitality, as they gaze out and connect with the large transparent tent that Michiyoshi Isozaki has set up at the entrance of the settlement, and inside of one of the houses in the village, Chuang Chih-Heng created traces of light memorizing the life story of local inhabitants. In this vivid and splendid landscape is a surge of life that is entwined with destiny’s ferociousness, as it continues to grow, instinctively. As time and society progress, emotions, concerns, and realities move forward through ironic syncopations. As the primitive and the civil coexist, the meaning of this land is intermingled and shaped, and contained in this rich wild landscape - a land of happiness is the anticipation we hold for life.

★ 指導單位 SUPERVISOR:文化部、臺北市政府
★ 主辦單位ORGANIZER:台北市文化局、台北市文化基金會
★ 策劃執行 EXECUTIVE:寶藏巖國際藝術村
★ 開閉幕聯合策畫 Opening & Closing Events Co-programming:簡單生活
★ 指定媒體 APPOINTED MEDIA:Marie Claire美麗佳人
★ 指定贊助 APPOINTED SPONSOR:艾瑪絲、微景設計工作室
★ 贊助單位 SPONSOR:B&G 德國農莊 Tea Bar、西班牙瓦倫西亞社區博物館協會
★ 協力單位 PARTNER:魚蹦興業、giloo紀實影音、實踐大學、實踐大學建築設計學系、國立臺北藝術大學、國立臺北藝術大學新媒體藝術學系、國立臺灣大學、臺大土木工程學系、今藝術、藝術家雜誌社、The Big Issue Taiwan